In the poetry of Sachchidananda Hiranand Batasayan Agyeya, in the Vimbaya Vidhana (Vimbaya)

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Kalpana Maya

Abstract

Agneya is the seventh poet of the Tar Saptak, the editor of the four octaves and the pioneer of experimentalism, he has given a new direction and development to the second post-secondary Hindi poetry. His personality differs from his predecessors and later poets. Bhagradut 1933 Anxiety 1941 Ilyalam 1946 A moment on the green 1949 Vavra Aheri 1954, The Rainbow was blown 1957, Ari O Karuna Prabhamaya 1959, The Gates of the Aangan 1961 'First I Weave Silence 1964 The Golden Algae 1966 Before 1965 , How many times in how many boats 1967, Because I know him 1970, 'Sagarmudra 1971' and 1972 under the great tree, his independent poetry collections have also been published. The influence of Chhayavad is targeted on the poet till "Ilyalam" and their usability has also started rightly. There is suspense in "The Gates of Ogan" and "How many times in how many boats". Each of his collections is a reflection of his life vision.

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How to Cite
Maya, K. (2017). In the poetry of Sachchidananda Hiranand Batasayan Agyeya, in the Vimbaya Vidhana (Vimbaya). Mind and Society, 6(03-04), 56–64. Retrieved from https://mindandsociety.in/index.php/MAS/article/view/201
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Research Article